Where Does the Dance Begin, Where Does It End?
Don't call this world adorable, or useful, that's not it.
It's frisky, and a theater for more than fair winds.
The eyelash of lightning is neither good nor evil.
The struck tree burns like a pillar of gold.
But the blue rain sinks, straight to the white
feet of the trees
whose mouths open.
Doesn't the wind, turning in circles, invent the dance?
Haven't the flowers moved, slowly, across Asia, then Europe,
until at last, now, they shine
in your own yard?
Don't call this world an explanation, or even an education.
When the Sufi poet whirled, was he looking
outward, to the mountains so solidly there
in a white-capped ring, or was he looking
to the center of everything: the seed, the egg, the idea
that was also there,
beautiful as a thumb
curved and touching the finger, tenderly,
little love-ring,
as he whirled,
oh jug of breath,
in the garden of dust?
-from Why I Wake Early (2004)
====================
“The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice --
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.”
―
Mary Oliver
==================
“to live in this world
you must be able
to do three things
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go”
―
Mary Oliver,
New and Selected Poems, Vol. 1
=====================
Song of the Builders
On a summer morning
I sat down
on a hillside
to think about God -
a worthy pastime.
Near me, I saw
a single cricket;
it was moving the grains of the hillside
this way and that way.
How great was its energy,
how humble its effort.
Let us hope
it will always be like this,
each of us going on
in our inexplicable ways
building the universe.
from Why I Wake Early (2004)
=====================
“How I go to the woods
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I don’t really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much.”
― Mary Oliver, Swan: Poems and Prose Poems
====================
“In Blackwater Woods
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.”
― Mary Oliver, New and Selected Poems, Vol. 1
==========================
“Why I Wake Early
Hello, sun in my face.
Hello, you who made the morning
and spread it over the fields
and into the faces of the tulips
and the nodding morning glories,
and into the windows of, even, the
miserable and the crotchety –
best preacher that ever was,
dear star, that just happens
to be where you are in the universe
to keep us from ever-darkness,
to ease us with warm touching,
to hold us in the great hands of light –
good morning, good morning, good morning.
Watch, now, how I start the day
in happiness, in kindness.”
― Mary Oliver
====================
“Praying
It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway
into thanks, and a silence in which
another voice may speak.”
― Mary Oliver, Thirst
==================
Morning Poem
Every morning
the world
is created.
Under the orange
sticks of the sun
the heaped
ashes of the night
turn into leaves again
and fasten themselves to the high branches ---
and the ponds appear
like black cloth
on which are painted islands
of summer lilies.
If it is your nature
to be happy
you will swim away along the soft trails
for hours, your imagination
alighting everywhere.
And if your spirit
carries within it
the thorn
that is heavier than lead ---
if it's all you can do
to keep on trudging ---
there is still
somewhere deep within you
a beast shouting that the earth
is exactly what it wanted ---
each pond with its blazing lilies
is a prayer heard and answered
lavishly,
every morning,
whether or not
you have ever dared to be happy,
whether or not
you have ever dared to pray.
from Dream Work (1986) by Mary Oliver
==================
“Landscape
Isn't it plain the sheets of moss, except that
they have no tongues, could lecture
all day if they wanted about
spiritual patience? Isn't it clear
the black oaks along the path are standing
as though they were the most fragile of flowers?
Every morning I walk like this around
the pond, thinking: if the doors of my heart
ever close, I am as good as dead.
Every morning, so far, I'm alive. And now
the crows break off from the rest of the darkness
and burst up into the sky—as though
all night they had thought of what they would like
their lives to be, and imagined
their strong, thick wings.”
― Mary Oliver, Dream Work
====================
“The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.”
― Mary Oliver, Swan: Poems and Prose Poems
=================
“DAISIES
It is possible, I suppose that sometime
we will learn everything
there is to learn: what the world is, for example,
and what it means. I think this as I am crossing
from one field to another, in summer, and the
mockingbird is mocking me, as one who either
knows enough already or knows enough to be
perfectly content not knowing. Song being born
of quest he knows this: he must turn silent
were he suddenly assaulted with answers. Instead
oh hear his wild, caustic, tender warbling ceaselessly
unanswered. At my feet the white-petalled daisies display
the small suns of their center piece, their -- if you don't
mind my saying so -- their hearts. Of course
I could be wrong, perhaps their hearts are pale and
narrow and hidden in the roots. What do I know?
But this: it is heaven itself to take what is given,
to see what is plain; what the sun lights up willingly;
for example -- I think this
as I reach down, not to pick but merely to touch --
the suitability of the field for the daisies, and the
daisies for the field.”
― Mary Oliver, Why I Wake Early
==================
Poetry
By
Mary Oliver
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.
Wild Geese
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.
from Dream Work by Mary Oliver
published by Atlantic Monthly Press
© Mary Oliver
================
“Percy wakes me (fourteen)
Percy wakes me and I am not ready.
He has slept all night under the covers.
Now he’s eager for action: a walk, then breakfast.
So I hasten up. He is sitting on the kitchen counter
Where he is not supposed to be.
How wonderful you are, I say. How clever, if you
Needed me,
To wake me.
He thought he would a lecture and deeply
His eyes begin to shine.
He tumbles onto the couch for more compliments.
He squirms and squeals: he has done something
That he needed
And now he hears that it is okay.
I scratch his ears. I turn him over
And touch him everywhere. He is
Wild with the okayness of it. Then we walk, then
He has breakfast, and he is happy.
This is a poem about Percy.
This is a poem about more than Percy.
Think about it.”
― Mary Oliver, Swan: Poems and Prose Poems
===================
“Drive down any road,
take a train or an airplane
across the world, leave
your old life behind,
die and be born again~
wherever you arrive
they'll be there first,
glossy and rowdy
and indistinguishable.
The deep muscle of the world.”
― Mary Oliver, New and Selected Poems, Vol. 1
=====================
“And there you are
on the shore,
fitful and thoughtful, trying
to attach them to an idea —
some news of your own life.
But the lilies
are slippery and wild—they are
devoid of meaning, they are
simply doing,
from the deepest
spurs of their being,
what they are impelled to do
every summer.
And so, dear sorrow, are you.”
―
Mary Oliver,
New and Selected Poems, Vol. 1
================
“In your hands
The dog, the donkey, surely they know
They are alive.
Who would argue otherwise?
But now, after years of consideration,
I am getting beyond that.
What about the sunflowers? What about
The tulips, and the pines?
Listen, all you have to do is start and
There’ll be no stopping.
What about mountains? What about water
Slipping over rocks?
And speaking of stones, what about
The little ones you can
Hold in your hands, their heartbeats
So secret, so hidden it may take years
Before, finally, you hear them?”
― Mary Oliver, Swan: Poems and Prose Poems
================
“Dogfish
I wanted
The past to go away, I wanted
To leave it, like another country; I wanted
My life to close, and open
Like a hinge, like a wing, like the part of the song
Where it falls
Down over the rocks: an explosion, a discovery;
I wanted
To hurry into the work of my life; I wanted to know,
Whoever I was, I was
Alive
For a little while.
…mostly, I want to be kind.
And nobody, of course, is kind,
Or mean,
For a simple reason.
And nobody gets out of it, having to
Swim through the fires to stay in
This world.”
― Mary Oliver
=============
“...eventually tides will be the only calendar you believe in…
And someone’s face, whom you love, will be as a star
Both intimate and ultimate,
And you will be heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper
Oh let me, for a while longer, enter the two
Beautiful bodies of your lungs...
Look, and look again.
This world is not just a little thrill for your eyes.
It’s more than bones.
It’s more than the delicate wrist with its personal pulse.
It’s more than the beating of a single heart.
It’s praising.
It’s giving until the giving feels like receiving.
You have a life- just imagine that!
You have this day, and maybe another, and maybe
Still another…
And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.
And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world. ”
― Mary Oliver, Evidence: Poems
===============
“The poet dreams of the classroom
I dreamed
I stood up in class
And I said aloud:
Teacher,
Why is algebra important?
Sit down, he said.
Then I dreamed
I stood up
And I said:
Teacher, I’m weary of the turkeys
That we have to draw every fall.
May I draw a fox instead?
Sit down, he said.
Then I dreamed
I stood up once more and said:
Teacher,
My heart is falling asleep
And it wants to wake up.
It needs to be outside.
Sit down, he said.”
― Mary Oliver, Swan: Poems and Prose Poems
===============
“Sleeping in the Forest
I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.”
― Mary Oliver
===================
“Mornings at Blackwater"
For years, every morning, I drank
from Blackwater Pond.
It was flavored with oak leaves and also, no doubt,
the feet of ducks.
And always it assuaged me
from the dry bowl of the very far past.
What I want to say is
that the past is the past,
and the present is what your life is,
and you are capable
of choosing what that will be,
darling citizen.
So come to the pond,
or the river of your imagination,
or the harbor of your longing,
and put your lips to the world.
And live
your life.”
― Mary Oliver, Red Bird
===============
“I had a dog
who loved flowers.
Briskly she went
through the fields,
yet paused
for the honeysuckle
or the rose,
her dark head
and her wet nose
touching
the face
of every one
with its petals
of silk
with its fragrance
rising
into the air
where the bees,
their bodies
heavy with pollen
hovered -
and easily
she adored
every blossom
not in the serious
careful way
that we choose
this blossom or that blossom
the way we praise or don't praise -
the way we love
or don't love -
but the way
we long to be -
that happy
in the heaven of earth -
that wild, that loving.”
― Mary Oliver
=================
“Tom Dancer’s gift of a whitebark pine cone
You never know
What opportunity
Is going to travel to you,
Or through you.
Once a friend gave me
A small pine cone-
One of a few
He found in the scat
Of a grizzly
In Utah maybe,
Or Wyoming.
I took it home
And did what I supposed
He was sure I would do-
I ate it,
Thinking
How it had traveled
Through that rough
And holy body.
It was crisp and sweet.
It was almost a prayer
Without words.
My gratitude, Tom Dancer,
For this gift of the world
I adore so much
And want to belong to.
And thank you too, great bear”
― Mary Oliver, Swan: Poems and Prose Poems
================
“Still, what I want in my life
is to be willing
to be dazzled—
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
I want to believe I am looking
into the white fire of a great mystery.
I want to believe that the imperfections are nothing—
that the light is everything—that it is more than the sum
of each flawed blossom rising and falling. And I do.
(from the poem, "The Ponds")”
― Mary Oliver
================
“Every day
I see or hear
something
that more or less
kills me
with delight,
that leaves me
like a needle
in the haystack
of light.
It was what I was born for–
to look, to listen,
to lose myself
inside this soft world
(from, 'Mindful')”
―
Mary Oliver
=================
“EVERY DOG’S STORY
I have a bed, my very own.
It’s just my size.
And sometimes I like to sleep alone
with dreams inside my eyes.
But sometimes dreams are dark and wild and creepy
and I wake and am afraid, though I don’t know why.
But I’m no longer sleepy
and too slowly the hours go by.
So I climb on the bed where the light of the moon
is shining on your face
and I know it will be morning soon.
Everybody needs a safe place.”
― Mary Oliver, Dog Songs